Jerry Paper’s second album Abracadabra will appear on May 15.
Preorder vinyl: sthrow.com/abracadabra
Jerry Paper is Lucas Nathan. Jerry Paper is instant coffee, bullshit jobs, weekly therapy sessions, crises of conscience, corporate mascots, 5meo-DMT trips, jokers down on their luck, surveillance, a jacked dad high on meth at a child’s party, apologies, trash cans, cacti, and the magic of words. From its initial days as a DIY solo synth project in the early 2010s to its current incarnation as a five-piece band, Jerry Paper has always been the earthly conduit for the wild and uncanny imagination of its creative mastermind.
In 2019, back from travelling the world for the I Am Begging You To Come To These Shows tour, Jerry Paper hung up his flowing dress and sandals, glided into the studio, and began giving material form to his next musical manifestation: Abracadabra. Where his last couple of records were recorded and produced in a Toronto studio with his BadBadNotGood friends, and the recent album Like A Baby included collaborations with Matty Tavares, Weyes Blood, Mild High Club and Charlotte Day Wilson, for Abracadabra Nathan decided to go it alone.
Abracadabra is about the significance and limitations of language, written and recorded at a time when Nathan was rediscovering the power of words, stories and symbols. (The etymology of “abracadabra” is said to be an Aramaic phrase meaning “it will be created in my words”.) And so, with words crowding his brain and MIDI arrangements sketched out, Nathan magicked the new Jerry Paper album into existence. Over thirteen songs, he serves up a blend of jazzy instrumentation with soft-rock stylings and some seriously catchy earworms, forging a style that hints at the avant-pop of Scott Walker, the sweet enchantment of Paul McCartney, and the cryptic, smooth grooves of Steely Dan.
Like all good stories, Abracadabra boasts unforgettable characters: someone with a victim complex (“Cholla”); an alien captive surveilled by a mysterious presence (“Puppeteer”), and a buff man whose life is thrown into shambles when he is caught smoking methamphetamine at his child’s birthday party (“Body Builder on the Shore”). Nathan’s interest in talk therapy led to “Spit It Out”, a song about the health-inducing qualities of improvised speech; "Memorial Highway" is about existence after death in other people's memories, and “Apologist” and “All I Need” affirm the value — and occasional futility — of recognizing one’s wrongs. Building new realities out of words and sounds is no easy task, and on “Trash Can”, Nathan mourns the frustrations of the creative process.
Abracadabra is many things at once: arch and sincere, bizarre and all too real, funny and melancholic — the work of an artist living in a world when despair so often tips over into ridiculousness, sometimes the only thing left to do is laugh.
Nathan worked with longtime visual collaborator Steve Smith and avant-comedian Alan Resnick to create the album art, which depicts an alien outsider spotting someone he recognizes. Who could it be? Don’t worry. Sit back, relax, and let Abracadabra cast its spell.
“Simultaneously of this reality and not…. It’s dead weird, but then so are the times
we’re living in.” - Uncut 8/10
“Warm and almost supernatural in the balance he’s found here between a rosy kind of innocence and an impressively mature musicality.” - L.A. Record
“An invitation into a warped world of psychedelic slacker sounds, creating both a contagious and completely chaotic soundscape.” - The Line of Best Fit
“Weird and wonderful pop to lose yourself in” - DIY Magazine